Much has been written about American reality television programming, from its usage of artificially created drama to its unrealistic depictions of basic human interactions. Japan's answer to American television has always been drastically different - point and case, anime - but their idea of reality television has taken the western world by storm. The 2015 reboot of Fuji Television's Terrace House has become one of the most talked about shows on the air, and yet, every reviewer who covers it openly admits how boring it is. But is that not where it succeeds?
Terrace House is a program in Japan that is essentially their version of Big Brother, only molded through traditional Japanese morals and ethics. While American audiences are used to overly dramatic and not overtly positive content from reality television (i.e. The Bachelor and Jersey Shore), Terrace House directly reflects the mindset of Japanese youths as they were raised. As a result, it tends to be a bit of a culture shock to non-Japanese audiences, who are confused yet intrigued by the lack of obvious drama (meaning: no one punches anyone out after an ill advised amount of alcohol consumption).
Terrace House is, in a nutshell, what reality television was meant to be before it got out of hand. Early examples of reality television were game shows, such as The Newlyweds, The Price is Right, and The Weakest Link. Only later did the modern concept of reality television begin to emerge, with shows like Real People and The Joy of Painting depicting a truly unaltered vision of reality. Terrace House is of that mentality, so the show is six Japanese youths sharing a home together, all with the intent of finding a boyfriend or girlfriend.
Decider's Cody Shmitz said in his piece on Terrace House, "The difference between the relaxed atmosphere of Terrace House and the calculated debauchery of Jersey Shore has a lot to do with subject material. The former is about six young adults who attempt to live together in harmony. The latter is about eight adult children who party and occasionally punch each other." Shmitz then breaks down the cultural differences displayed in Terrace House for easier understanding, In terms of touch, he notes in the very first episode, "As each new housemate is introduced to the group, the rest of the cast members stay sitting and don’t give a welcoming embrace. Some give a handshake." While this may seem jarring and even rude to American audiences, it's actually completely accurate. The played-up greetings on American shows like The Bachelor are a non-factor in Japanese culture, as it is extremely formal.
Britain's Newstatesman published an article by Anna Leszkiewicz contained a passage summing up her view: "... the people chosen are young, beautiful, straight and single. But the small group of six can come and go as they please. They don’t give up their jobs or hobbies, or friends and family. They use their phones. And most strangely of all, they’re all nice, normal people." Generally, everyone notes how issues like conflicting choices for dinner, two of the boys liking the same girl, and even relationship initiations are handled in an unexpected way: like adults. The teens meet, state the issue, and proceed to solve it rationally through conversation. This is not something seen elsewhere on other countries' reality programming, and it's a bit of a wake up call for many. Could this be the future of reality television happening?